Park hyo jin biography of rory

Anastasia, musically known as Rory in early 20s ( shortened ʼrie20sʼ ) & formerly known as Loli in early 20s ( shortened ʼlie20sʼ ), is a transgender producer from Kyiv, Ukraine.
A side-project, Dress Yourself Bellie, is also known to be run by rie20s.

Their work is characterized by fast-tempo, distorted, chopped up, repetitively looped audio clips featuring anime samples, Ukrainian vocals & the use of voice synthesizing software such as Vocaloid, combined with rapid breakbeats & heavy drumkicks.

It is to be noted that their work does span over multiple genres such as breakcore, ambient, noise, drum & bass, house & video game music. However, rie20s used to be labeled as lolicore given the aesthetics & concept shared in common.

Due to social media algorithms & thus recent growth in genres & labels featuring breakbeats, rie20s as a project has been gaining popularity & streams ever since - all thanks to various playlists & mixes on streaming services featuring their work, such as YouTube, Spotify, etc.

South Korean filmmaker (born 1963)

In this Korean name, the family name is Park.

Park Chan-wook (Korean: 박찬욱; IPA:[pak̚tɕʰanuk̚]; born 23 August 1963) is a South Koreanfilm director, screenwriter, producer, and former film critic. He is considered one of the most prominent filmmakers of South Korean cinema as well as 21st-century world cinema.^[1] His films, which often blend crime, mystery and thriller with other genres, have gained notoriety for their cinematography, framing, black humor and often brutal subject matters.^[2][3]

After two unsuccessful films in the 1990s which he has since largely disowned, Park came to prominence with his acclaimed third directorial effort, Joint Security Area (2000), which became the highest-grossing film in South Korean history at the time and which Park himself prefers to be regarded as his directorial debut.^[4][5] Using his newfound creative freedom, he would go on to direct the films forming his unofficial The Vengeance Trilogy: Sympathy for Mr. Vengeance (2002), a financial failure that polarized critics, followed by Oldboy (2003) and Lady Vengeance (2005), both of which received critical acclaim and were financially successful. Oldboy

•