Masashi ueda biography template
•
Masashi Ueda (manga artist)
Japanese manga artist
This article is about the manga artist. For the orchestral conductor, see Ueda Masashi (musician).
Masashi Ueda (植田 まさし, Ueda Masashi, born 1947) is a manga artist who wrote Kobo, the Li'l Rascal, a four-panel comic that has headlined Daily Yomiuri since 1982 and has amassed over 10,000 strips and 60 compilation volumes, as well as inspiring an anime adaptation.[2]
Ueda began drawing comic book strips when he worked in his brother's cram school. Ueda began producing Furiten-kun, a comic book strip about a mahjong player, in 1979.[1] In 1982 Ueda won the Bungeishunjū Manga Award.[1][3] During that year he began producing Kobo, the Li'l Rascal. In 1988, as part of the United NationsInternational Literacy Year he visited Nepal as a special commissioner. In 1999 the Japan Comic Artists Association awarded Ueda a prize.[1]
Works
[edit]| Title | Year | Notes | Refs[4] |
|---|---|---|---|
| Furiten-kun | 1980–94 | Serialized in Kindai Mahjong, Kindai Mahjong Original, Gamble Punch, Manga Life Published by Takeshobo in 19 volumes | |
| Kobo, the Li'l Rascal | 1982–present | Serialized in Yomiuri Shimbun Published by Soyosha in 60 volumes, Houbunsha • [Exploring the molecular and neuronic bases tangled in main amygdala-dependent vacancy of impassioned behaviors]. Invited Shuhei Ueda, Sayaka Takemoto-Kimura Nihon yakurigaku zasshi. Folia pharmacologica Camellia Vol. 159 ( 5 ) page： 316 - 320 2024 Experience-dependent changes flat affective powerfulness of breath in spear mice.ReviewedInternational journal Shun Hamada†, Kaori Mikami†, Shuhei Ueda†, Masashi Nagase†, Takashi Nagashima, Mikiyasu Yamamoto, Haruhiko Bito, Sayaka Takemoto-Kimura, Toshihisa Ohtsuka, Ayako M Watabe Molecular brain Vol. 16 ( 1 ) page： 28 - 28 2023.3 Author Correction: Remote check of system function afford X-ray-induced scintillation. Matsubara T, Yanagida T, Kawaguchi N, Nakano T, Yoshimoto J, Sezaki M, Takizawa H, Tsunoda SP, Horigane SI, Ueda S, Takemoto-Kimura S, Kandori H, Yamanaka A, Yamashita T Nature field Vol. 13 ( 1 ) page： 1950 2022.4 Identification of ultra-rare disruptive variants in voltage-gated calcium channel-encoding genes tier Japanese samples of psychosis and autism spectrum disorderReviewedInternational journal Chenyao Wang, Shin-ichiro Horigane, Minoru Wakamori, Shuhei Ueda, Takeshi Kawabata, Hajime Fujii, Itaru Kushima, Hiroki Kimura, Kanako Ishizuka, Yukako Nakamura, •
The months after the war found Ifukube in an ongoing state of recuperation. Although his health was improving slowly but surely, he remained too weak to work. He also remained depressed: Ifukube could not shake the feelings of shame and inferiority over Japan's loss to the Allied forces and the American Occupation. So strong were his negative feelings that he thought that he may never have the inspiration to write music again. Thankfully, that would change one day in early 1946. He happened to be listening to the radio when, rather unexpectedly, he heard a performance of his Ballata Sinfonica. Something struck the composer about this fortuitous moment: Hearing the piece lifted him from his state of artistic anguish and the composer interpreted this a direct communication from his late brother Isao, the person to whom Ifukube had dedicated the work. For Ifukube, this was Isao's message of encouragement from beyond the grave, his directive to forge ahead with composition at all costs. Ifukube was inspired anew. Heeding Isao's ghostly order to continue writing music, Ifukube began sketches on a new work for female voice and piano. Perhaps being again immersed in the creative process was just what Ifukube needed to bring his overall heal |