Self portrait frans hals biography
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The celebrated portraitist and genre painter Frans Hals has been placed second only to Rembrandt and, during the past hundred years, to Vermeer in the pantheon of great Dutch painters of the Golden Age. In the second half of the nineteenth century, Hals was actually the most admired artist in some quarters—especially in Paris, since Vermeer’s small oeuvre was still only beginning to be defined, and Hals’ bourgeois subjects, his often colorful palette, and above all his bold brushwork became more inspiring to Realist and Impressionist painters than was the venerable model of Rembrandt.
Like many less famous Dutch artists, Hals was actually from the Spanish Netherlands; his parents moved from Antwerp to Haarlem when he was quite young (probably about 1586, and certainly before his brother, the genre painter Dirck Hals [1591–1656], was born). Frans reportedly studied with the Mannerist painter and writer on art Karel van Mander I (1548–1606), probably about 1600–1603. He joined the Haarlem painters’ guild in 1610 and married about the same time. The earliest known works by Hals are impressive formal portraits of 1612–14, when he was already about thirty years old. From 1612 to 1624, Hals served in the Saint George civic guard in Haarlem; his portrait of that company’s officers,
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It was an orgy. The Paris sale of the Portalis-Gorgier’s art collection took place in the spring of 1865, and the plutocrats of Europe came to town. Chief among them were Lord Hertford and Baron de Rothschild, who had a habit of writing their bidding agents blank cheques: no price would be too high to secure the object they wanted. When the two squared off over a painting by a newly fashionable Dutch master, the scene was set for mutually assured demuneration.
A French art journal reported on the fallout in its next edition: ‘the Portrait of a military man, by Franz [sic] Hals, 51,000 francs – fifty-one thousand francs! to Lord Hertford, against M. Rothschild, who had given his agent unlimited funds – very embarrassing!’ This ‘military man’ picked up a new nickname when he arrived in England: ‘the laughing cavalier.’
No portrait by Frans Hals had ever sold for more than a few thousand francs. From now on, they would never sell for less. The defeated Baron licked his wounds by buying another Hals two months later for a crisp 35,000 francs.
Few artists have had a more spirited afterlife than the seventeenth-century Dutch painter Frans Hals, but the facts of his biography are sparse. He worked his whole life as a painter of individual and group portraits in the wealthy Dutch t
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Frans Hals
Painter let alone the Septrional Netherlands (c. 1582–1666)
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