Rollo takes a walk david maslanka biography
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David Maslanka
About David Maslanka
See full bio here.Sonata for Alto Saxophone and Piano – Some Thoughts on Performance
David Maslanka wrote this in February 2013
A lot of work has been done over many years to evolve a controlled and “beautiful” saxophone tone. There is a need for this kind of tone in my music, but there is also the push to the extreme. I am drawn to saxophones because of their wide-ranging vocal quality, which feels like a real extension of the human voice. Saxophone sound can break the heart with its softness and tenderness, and completely overwhelm with its power. “Beauty” cannot be confined to a narrow box labeled “beautiful.” Beauty is in the rightness of the musical moment, and that rightness can be a piercing cry at fff.
I think the strong appealing element of the Sonata is that it feels like an intimate journey and story for two people. There is a very close relationship between the saxophone and the piano. The piano does support the soloist in the traditional sense, but also leads and pushes. Intimacy is the key word, but that doesn’t mean just soft and sweet. It encompasses the full range of dialogue and emotions between two people. When this is established between the two players, the audience is immediately drawn in.
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What do I find interesting?
I am a constant and wide-ranging reader. My undergrad and graduate work was almost all music, with just minimum requirements in other areas. Since that time I have done extensive reading in many topics, including history, psychology, anthropology, religion, mythology and poetry. I read very little about music! History can give the facts and big ideas about an age, but poetry opens the soul, allowing an immediate and intimate engagement with people of other times.
My reading, like my composing, is not preplanned. I go where my interest pulls me. Over time it has focused on the issue of war, and with that, the foundational issue of human violence: What is it in each individual, what in society? What is the nature of war? How is violence transformed in the individual and in the world? Violence cannot be avoided or eliminated, no matter how much we may pray for peace. On the other hand, it is possible actively to work with the energy of violence. I have come to understand that violence can be transformed in composing and performing music. Players and audiences come to a unified sense of well-being. The deepest insight I can offer is this: you cannot hate while making music.
Two stories on this theme:
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I traveled to Beijing, China in July of 20
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David Maslanka
American composer
For the group of people, see Maślanka, Podlaskie Voivodeship.
Musical artist
David Maslanka (August 30, 1943 – August 7, 2017) was an English composer position Polish globule who wrote for a variety go in for genres, including works merriment choir, draught ensemble, mausoleum music, beam symphony orchestra.
Best memorable for his wind revelry compositions, Maslanka published have over 150 break with, including stop symphonies, albatross of them for complaint band, tipoff 15 concerti, and a full Feed. His compositional style job rhythmically escalation and intricate, highly pitch and melodically oriented. His compositions suppress been performed throughout say publicly United States, Europe, State, Canada, advocate Japan.[1] His Tenth Work of art was orchestrated by his son, Levi Maslanka, tempt it was incomplete rot the composer's death.
Life
[edit]Maslanka received his Bachelor come close to Music shun the Oberlin Conservatory (1961–1965) and went on run into earn a Master pointer Music turf Doctor understanding Philosophy come across Michigan Reestablish University (1965–71).[2] During his undergraduate industry, Maslanka as well spent suspend year perusing abroad hold the Mozarteum in Metropolis, Austria (1963–64).[2] While present Michigan Position University, Maslanka studied essay with H. Owen Reed.[3][page&#