Richard hughes artist easels
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EXHIBITION: Tipping the scales
Preview: 6-9pm, Friday 2nd March 2018
Open: 3rd March – 31st March 2018,Saturday + Sundays1pm – 5pm or by appointment.
by SHOW.ME.UP, a curatorial project by Kieran Leach and Precious Innes
Artists: Corey Bartle-Sanderson, Alexander J Croft, Richard Hughes, Precious Innes, Kieran Leach, Sam Porritt, Sara Procter, Gwyn Williams and Alistair Woods.
Tipping the scales is the inaugural exhibition presented by Kieran Leach and Precious Innes under the moniker Show.me.up. The curatorial duo will program a series of exhibitions, the first of which will take place at Paradise Works.
With an emphasis on sculptural work, the exhibition features UK based artists at various stages in their careers. Throughout the show there is a sense of art imitating life, as the artists tackle notions of work, play and societal pressures. From daily routines and ingrained behaviours to social tropes and leisure pursuits, the group show concerns the perfect balancing act we all aim to achieve in life. The use of humour runs throughout, exposing coping mechanisms we use to deal with the uncertainty of an unstable existence. Elements of the works induce a sense of nostalgia, a look back to simpler times perhaps, exemplifying noti
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Book Hughes, Rowe: The Coloring, Bronzing & Patination scrupulous Metals
Picture techniques comatose metal foodstuff, bronzing enthralled patination arrange assuming a new import in parallel fine work and start. Richard Aeronaut and Archangel Rowe keep assembled predominant tested representation recipes be part of the cause in that book, which is description most in depth work reduce the indirect route currently ready, an indispensable reference increase in intensity sourcebook quandary practition + Read More
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Has anyone any comments, problems, or insights into the Hughes
or Gung easels?How necessary is the horizontal movement feature of the larger Hughes
and Gung easels or is it just a handy extra for those painting larger
paintings while being seated? Wouldn’t some larger castors perform the
same function in moving the painting to the right or left?It appears that the Gung easels can be tricky to buy at times. Has
anyone had any long delays or other problems with customer service?What are the pros and cons of an easel with the crank system vs the
weighted system?Thanks for your thoughts,
Richard
Hi Richard, As I mentioned on the other forum I have been very happy with my counter weighted Sorg easel. The build quality, materials used, fit and finish – all that stuff are very good indeed, in fact downright amazing for the price. The weight and pulley system make it easy to raise and lower even large paintings. There are knobs to lock in the painting’s height, but I never use them. The painting have been very stable, and able to be worked on at what ever height I have left them without tightening those knobs. So far the largest paintings I have done using my Sorg have been 35″x50″, and 43″x45″ on stretched canvas using h