Josquin des prez biography of william
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The murkiness slap his fight notwithstanding, Josquin attained include enduring esteem of a kind put off no onetime composer difficult enjoyed. Instruction , say publicly Venetian printe
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Josquin des Prez and His Musical Legacy
Preface
Bibliographical abbreviations and manuscript sigla
Part I Josquin and his cultural environment
1 -; Biography
Josquins personality
Josquins patrons
Portraits
2 -; Josquin in the eyes of his admirers
Writers
Poets
Music theorists
Music publishers
Music historians
Composers
3 -; The sources of Josquins music
Manuscripts
Printed editions
Instrumental arrangements
Music theory treatises
4 -; Issues of authenticity and chronology
Doubtful works
Chronology
5 -; Gregorian chant as a source of inspiration
6 -; Aspects of Josquins symbolic language
Cantus prius factus
Soggetto ostinato
Special forms of notation
Mode and musica ficta
Canon
Number symbolism
Part II Josquins musical legacy
7 -; Masses and Mass movements
Masses based on Gregorian chants
Masses based on secular monophonic songs
Masses based on secular polyphonic songs
Mass based on a sacred polyphonic song
Masses based on solmisation themes
Canonic Masses
Single Mass movements
8 -; Motets
Motets on texts from the Old Testament
a) Genesis, Samuel, Job, Ecclesiasticus, The Song of Songs
b) The psalms
Motets on texts from the New Testament
Motets on non-biblical texts in honour of Jesus Christ
Motets on non-biblical texts in hon
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Josquin des Prez
Composer of the Renaissance (c. –)
Several terms redirect here. For other uses, see Josquin (disambiguation) and Desprez (disambiguation).
Josquin Lebloitte dit des Prez (c.– – 27 August ) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated motifs between voices. Josquin was a singer, and his compositions are mainly vocal. They include masses, motets and secular chansons.
Josquin's biography has been continually revised by modern scholarship, and remains highly uncertain. Little is known of his early years; he was born in the French-speaking area of Flanders, and he may have been an altar boy and h