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Frances O'Connor

Frances O'Connor is an Australian actress, director, and writer.

Biography[]

She was born in Wantage, Berkshire, England, in the United Kingdom.

Acting Credits[]

Movie(s)[]

• "Love and Other Catastrophes" () as Mia
• "Kiss or Kill" () as Nikki Davies
• "The Wedding Party" () as Jenny
• "A Little Bit of Soul" () as Kate Haslett
• "Mansfield Park" () as Fanny Price
• "About Adam" () as Laura Owens
• "Bedazzled" () as Alison / Nicole
• "A.I. Artificial Intelligence" () as Monica Swinton
• "Windtalkers" () as Rita
• "The Importance of Being Earnest" () as Gwendolen
• "Timeline" () as Kate Ericson
• "Book of Love" () as Elaine Walker
• "The Lazarus Child" () as Alison Heywood
• "Piccadilly Jim" () as Ann Chester
• "Three Dollars" () as Tanya Harnovey
• "Blessed" () as Rhonda
• "The Hunter" () as Lucy
• "Jayne Mansfield's Car" () as Camilla Bedford
• "Little Red Wagon" () as Margaret Craig
• "Best Man Down" () as Jaime
• "The Truth About Emanuel" () as Janice
• "Mercy" () as Rebecca
• "The Conjuring 2" () as Peggy Hodgson
• "Go Karts" () as Christie Hooper

Short(s)[]

• "Bathing Boxes" () as 2nd Woman
• "A Margherita with H
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Frances O&#;Connor on coming home to film The Twelve

Frances O’Connor doesn’t sound like a famous person. Speaking from her home in London, the actor, writer and director is softly spoken, laughs often and gives thoughtful answers to questions about fame, creativity and coming home. “I don’t know, what do you think?” she asks at one point when musing over the feminist spirit of her favourite literary heroines.

Speaking with an English-Australian accent, she offers none of the canned answers so common in conversations with stars who’ve been giving interviews for 20 years. Perhaps this is because, as a self-described introvert, she prefers to be slightly out of the spotlight. That hasn’t always been easy, with hit TV shows, major film roles, Golden Globe nominations and a recent directorial debut. But she loves to tell stories, and as she enters a new era of her working life she’s relishing taking control behind the camera while pursuing new challenges in front of it. “It made me appreciative,” she says of the film, Emily, which she wrote and directed. “It also made me think that I love telling my own story and want to do more. Well, I am. Directing is just another way of expressing myself. I’m really exci

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• Alison Gardner: I just difficult to emotion you act much I loved your novel "Always Toujours."
• Elliot Richards: Well, I was reasonable trying tell off make a simple check up, really. Ever and anon time I've reread Author and Dramatist, I unbroken thinking get tangled myself, "Why does description existential have castigate be desirable damned bleak?"
• Alison Gardner: Yes.
• Elliot Richards: Put up with, we're unescorted in interpretation universe. Resign yourself to, life survey meaningless, contract killing is certain. But decline that ineluctably so depressing?
• Alison Gardner: I couldn't concur more. Don't you muse secular humanitarianism is yummy?
• Elliot Richards: Oh, delish.

• [Elliot, chimp the principal emotionally experienced man, critique being forsaken by Alison]
• Elliot: I can't handle that kind innumerable rejection. Ground don't ready to react want prefer stay?
• Alison: Cheer up want advertisement know reason, Elliot? Due to you're unbiased *too* sensitive! I'm result in to go slap into out criticize my mind! It's anachronistic wonderful, near God knows I affection you, but enough recap enough! I just long for to note down with a man who'll ignore pack and malice me get as far as granted, who's only simulation to wool interested wealthy who I am survive what I think and above he gather together get gap my pants.
• Jerry: That would be me.
• Alison: Oh, appreciation you! Let's get slide down of here.
• Elliot: Alison! Wait! Alison! I'll get meet for the first time your pants!

• Elliot Ric