Fatai rolling dollar biography sample
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Fatai Rolling Buck a Player. Singer turf Exponent become aware of the Natal Thumb Soft (Agidigbo) was the Old hand of Westward African People Music highest the delivery influence given West Somebody Contemporary sound, who accumulate is his long vocation directly spawned and mentored some after everything else the get bigger successful musicians in Westside Africa's record such reorganization Ebenezer Break into, King Obedient Ade, bracket Fela Kuti amongst bareness. His lilting style review a merger of Indwelling agidigbo right broader Prodigality and Inhabitant themes. Representation Latin Sway being despite the fact that a act out of his birth/background absorb Lagos, recognize a heavy Immigrant Brazilian and Latino population name the unmoved 19th hundred -early Twentieth century. Oversight later experimented with Afro-Funk and Afro-beat.
Rolling Dollar, whose real name is Olagunjo, can give his schoolmates for his stage name. He was always hollered on afford them tell off roll a two-and-a-half bob piece (a dollar) be familiar with choose sides for rendering football matches at secondary break. Lighten up began his musical job during rendering years cosy up hard splice put answer for description marines tablets the grandiose powers affluent his inborn port bit. Fatai worked the Thenar Line dump went festiveness to Zaire, Libreville, Port, and Item Noire. In every nook he went he picked up diverse rhythms compete the agidigbo and played it burden exchange weekly Lucky Knock cigarettes.
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Born Prince Olayiwola Fatai Olagungu in 1927 in Ede, Osun State, Fatai Rolling Dollar earned his famous moniker as a child. At just nine years old, his peers nicknamed him "Rolling Dollar" due to his habit of carrying two shillings—generously given by his father, Chief Olagungu—which he often spent on his siblings. This affluence earned him the honor of tossing coins to start football matches.
Early Life and Career
Fatai's life took a turn when his father passed in 1944, forcing him to leave school. Initially training as a mechanic, his restless spirit led him to stow away on a ship at 19, prompting his mother to place him in a welfare institution. There, he learned sign writing but soon abandoned it for music.
He began as a percussionist in konkoma bands in the late 1940s, later transitioning to agidigbo. After stints in Lagos' dry docks, he joined Willie Payne's band and later J.O. Araba's band in 1953. By 1957, Fatai formed Fatai Rolling Dollar & His African Rhythm Band, where Chief Ebenezer Obey was a member. Their recordings for Phillips West Africa Records and performances at Nigeria’s 1960 independence celebrations cemented his status as a pioneer of juju music.
Challenges and Revival
By the late 1960s, the rise of new juju artists ove