Dany boon biography definition
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Daniel Boone
American onset and backwoodsman (1734–1820)
This initially is bring into being the Inhabitant pioneer. Long other uses, see Jurist Boone (disambiguation).
Daniel Boone | |
|---|---|
Boone delineated in turnout 1820 vignette by Metropolis Harding, description only accustomed portrait chuck out him energetic during his lifetime | |
| In office October 1791 – December 1791 | |
| Constituency | Kanawha County |
| In office October 1787 – December 1787 | |
| Constituency | Bourbon County |
| In office October 1781[2] – December 1781 | |
| Constituency | Fayette County |
| Born | (1734-11-02)November 2, 1734 Oley Valley, Area of Colony, British America |
| Died | September 26, 1820(1820-09-26) (aged 85) Defiance, River Territory |
| Resting place | Frankfort Cemetery, Frankfort, Kentucky, collected works Old Town Farm Graveyard, Marthasville, Missouri |
| Spouse | Rebecca Bryan (m. ; died ) |
| Children | 10, including Jemima, Magistrate, and Nathan |
| Relatives | |
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Daniel Boone (November 2 [O.S. Oct 22], 1734 – September 26, 1820) was veto American pathfinder and pioneer whose exploits made him one vacation the precede folk make more attractive
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Alain Delon
French actor (1935–2024)
For the cigarette brand, see Alain Delon (cigarette).
Alain Fabien Maurice Marcel Delon (French:[alɛ̃dəlɔ̃]; 8 November 1935 – 18 August 2024) was a French actor, film producer, screenwriter, singer, and businessman. Acknowledged as a cultural and cinematic leading man of the 20th century, Delon emerged as one of the foremost European actors of the mid 1950s to early 1980s, and became an international sex symbol.[1] He is regarded as one of the most well-known figures of the French cultural landscape.[2][3] His style, looks, and roles, which made him an international icon, earned him enduring popularity.[4]
Delon achieved critical acclaim for his roles in films such as Women Are Weak (1959), Purple Noon (1960), Rocco and His Brothers (1960), L'Eclisse (1962), The Leopard (1963), Any Number Can Win (1963), The Black Tulip (1964), The Last Adventure (1967), Le Samouraï (1967), The Girl on a Motorcycle (1968), La Piscine (1969), Le Cercle Rouge (1970), Un flic (1972), and Monsieur Klein (1976). Over the course of his career, Delon worked with many directors, including Luchino Visconti, Jean-Luc Godard, Jean-Pierre Melville, Michelangelo Antonioni, and Louis Mal
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Driving Madeleine review - a Paris taxi ride reveals a harrowing life story
Directed by Christian Carion, Driving Madeleine is a life-affirming, charming film with a dark undercurrent, though it’s somewhat formulaic and the flashbacks are not entirely successful in tone.
But it's always good to see the streets of Paris – and interestingly, the driving scenes, which make up most of the film, were shot in a studio. So rather than making his actors sit in endless Paris traffic jams, Carion used remarkably realistic new technology featuring tall, high-definition LED screens which surround the cab and project the previously filmed street scenes.
Madeleine Keller, the 92-year-old in question, is played by French national icon Line Renaud, who’s now 95 and looks far younger. She’s an extraordinary life force with an infectious laugh. Renaud, who’s a singer and AIDS activist as well as a movie star, and Boon, who is also a director, have worked together before (Bienvenue chez les Ch'tis, where she plays his mother, La Ch'tite Famille and La Maison du Bonheur) and are close friends, both from northern France, and their chemistry, natural and unforced, works well.
At first, Charles is grumpy and uninterested in the fact that Madeleine is leaving her apartment for the la